Ein 30-minütiger Kurzfilm aus der SoundWorks Collection über das Sounddesign von Dune, in dem die Tonteams des Films darüber sprechen, wie sie die Geräusche der Wüste von Arrakis, des Sandwurms und der Ornithopter erzeugt haben. Und was Lee Scratch Perry damit zu tun hat.
That’s something which – I learned a trick from Lee Scratch Perry, who I worked with in Switzerland about 10 years ago. He’s the pioneer of dub reggae, which must be the genre of music with the most bass. And one of the tricks that he used was to record a bass line and then to play it back through a huge speaker in a room that’s resonant…and record that. So it enhances the resonance of the bass. You also hear something of the shaking of the room. So that was one of the tricks that we used to give a sort of a very tactile sense to this spiritual adventure that Paul’s going on.
(Direktlink, via Kottke)