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Kategorie: Visuelles

Ein audio-visuelles Polyrhythmus-Experiment: Pulse Orbits

„Pulse Orbits“ ist eine experimentelle Sonic Odyssee, läft hier seit gut einer Stunde und ist entschleunigend faszinierend. Perfekter Sonntagscontent, wie ich finde.

Welcome to „Pulse Orbits“ – a captivating polyrhythmic experiment designed to soothe your senses and transport you to a world of harmonious relaxation. Immerse yourself in a unique blend of calming melodies and captivating animations, unleashing the power of rhythmic orbits. Release the stress of the everyday hustle and experience the hypnotic beauty of our pulsating spheres. Watch as mesmerizing patterns unfold in perfect synchronization, creating a meditative atmosphere. „Pulse Orbits“ invites you to lean back, unwind, and embrace the harmonious waves of tranquility. Hit play and let yourself be enchanted by this one-of-a-kind polyrhythmic experience.


(Direktlink)

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Fluid Art Machine: Emitter

Roman De Giuli hat mit Emitter eine „Fluid Art Machine“ entwickelt, die mit einem halbautomatischen Farbtropfensystem bunte Pigmente ins Wasser pumpt und dann miteinander vermischt. Das Ergebnis wirkt optisch digital ist aber organischer Natur und sieht verdammt gut aus. Augenzucker de Luxe, aufgenommen in 8K HDR mit 60 fps.

EMITTER is an experimental fluid art film which was created with a semi-automatic paint drop system. Since the beginning of my career, I exlcusively focused on chemical reactions and fluid motion on the macro and micro scale. But over time, I developed several visual methods on bigger canvases to create alive paintings which unfold over a longer period of time. To achive this, I apply a thick base layer of paint and then start to add other colors with droppers or by pouring. As the amount of paint is higher than what the canvas is able to absorb, the paint drops down from all edges of the canvas and onto my desk below. What I noticed for years is, that the constant dropping leads to fascinating and complex colors layers one cannot create by hand. I started to capture what was happening out of frame instead of focusing on the color flow on canvas and collected footage over time.


(Direktlink, via The Awesomer)

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Schnee und Eis überziehen karge Landschaften in Zeitraffer

So viel ist vom Winter hier bisher ja weder zu sehen noch zu spüren, aber kann natürlich sein, dass sich das noch ändern wird. Wir werden sehen.

Jamie Scott jedenfalls hat fünf Winter damit verbracht, das Aufkommen von Schnee und Eis zu filmen und dabei festgestellt, dass es früher deutlich mehr Schnee gab. Vielleicht auch ein wenig, um sich daran besser erinnern zu können, hat er dieses Zeitraffervideo der fragilen Jahreszeit veröffentlicht.

Twenty years ago when I moved to New York, there were several large snowstorms every year, and snow was practically guaranteed. In the last five years, there has been much less snow, and it’s become less predictable and often only for a few hours, at best. To plan for these shoots, I would look at the long-range forecasts, but it was very unreliable. Originally, I wanted to shoot the whole piece in New York City and focus on Central Park like my previous films, but I had to keep going farther and farther north. As a result, the majority of the film was shot in upstate New York and Montréal.


(Direktlink, via Colossal)

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