Uns aller Lieblingsspinne hat einen neuen Film.
https://youtu.be/GQP1MxxJt8I
(Direktlink, via Source)
Kategorie: Visuelles
Anton Moskalenko hat aus dutzenden Filmen Szenen gesammelt, in denen irgendwie Neonlicht zu sehen ist und hat aus diesen diesen hübschen Super Cut gemacht.
(Direktlink, via Maik)
Movies:
31 (2016)
2001. A Space Odyssey (1968)
Altered Carbon (2018)
Amer (2010)
American Ultra (2015)
Assassination Nation (2018)
Atomic Blonde (2017)
Baby Driver (2017)
Beyond The Black Rainbow (2010)
Birdman (2014)
Blackhat (2015)
Blade Runner (1982)
Blade Runner 2049 (2017)
Bliss (2019)
Bug (2006)
Byzantium (2012)
Cam (2018)
Climax (2018)
Cold Hell (2017)
Death Note (2017)
Dog Eat Dog (2016)
Enemy (2013)
Enter The Void (2009)
Ex Machina (2014)
Fahrenheit 451 (2018)
Ghost in Shell (2017)
Good Time (2017)
Guardians of the Galaxy. Vol.2 (2017)
Halloween (2017)
Heat (1995)
John Wick (2014)
Kill Bill. Volume 1 (2003)
Knife + Heart (2018)
La La Land (2016)
Let’s Be Evil (2016)
Legion. Season 2 (2018)
Look of Death (2016)
Long Days Journey Into Night (2018)
Mandy (2018)
Mission Impossible. Fallout (2018)
Moonlight (2016)
Mute (2018)
Nerve (2016)
Oldboy (2013)
Only God Forgives (2013)
Ready Player One (2018)
Revolver (2005)
Romeo and Juliet (1996)
Scarface (1983)
Se7en (1995)
Skyfall (2012)
Spring Breakers (2012)
Suspiria (2018)
T2. Trainspotting (2017)
Tenemos la Carne (2016)
Terminal (2018)
The Beach Bum (2019)
The Fifth Element (1997)
The Guest (2014)
The Neon Demon (2016)
Too Old to Die Young (2019)
Trainspotting (1996)
Trance (2013)
Tron. Legacy (2010)
Upgrade (2018)
Vertigo (1958)
We Are the Flesh (2016)
Wednesday 04.45 (2015)
X-Men: Day of the Future Past (2014)
You Were Never Really Here (2017)
Chris Bryan war als Kameramann für des BBCs „Blue Planet II“ verantwortlich, liebt es, das Meer zu filmen und hat offenbar einen Faible für Slow Motion Aufnahmen. Beides in Kombination lässt ihn fast unwirkliche Szenen aufzeichnen, die sich da draußen in den Ozeanen von Natur aus halt so abspielen. Und das sieht wahnsinnig gut aus. Nicht weniger gut: der Sound dazu.
The feeling of jumping off the rocks in the dark by myself just to capture the very first rays of light hitting the ocean without another sole in sight is unexplainable, its one of the most amazing feelings ever, its like my own personal therapy.
And to realise that you’re the only person on this planet that got to witness these rare moments of absolute beauty as they happen is a really special feeling.
And now im excited to share my experiences with you through my latest passion project „MOCEAN“.
https://vimeo.com/289001328
(Direktlink, via Kottke)
Falls ihr gerade nichts zu tun und Bock auf Optik habt; bitte sehr.
The happiest ultra-deep Mandelbrot ever made! An enormous amount of CPU time went into producing this Mandelbrot zoom, diving to a depth of 1.2e1077 in stunning 4k 60fps! I hope you enjoy it! I find bright and vibrant colours to be a personal challenge to create.
(Direktlink, via Nag on the lake)
Von Pak faszinierend animierte Interpretationen des rubikschen Zauberwürfels.
Rubik's Nightmare pic.twitter.com/4vMO2nG9oG
— Pak (@muratpak) November 17, 2019
Einen Kommentar hinterlassenRubik's Depression pic.twitter.com/EuQMkehHU0
— Pak (@muratpak) November 17, 2019
C4D4U mit der 16.Version seines „Softbody Tetris“, das von mal zu mal filigraner und schöner wird. ASMR für die Augen, nennt er es. Stimmt. Für die Ohren hingegen nicht.
(Direktlink, via BoingBoing)
Sehr hübsche Verpackung, die Love Hultén im Commodore X64-Stil um seinen Korg Minilogue gebaut hat. Equipment kann eben auch besonders schick aussehen, wenn man es so macht.
https://youtu.be/gF38WBBXtqM
(Direktlink, via BoingBoing)
Kurz zur Geschichte der Psychedelic Art, zusammengefasst von Vox.
When you picture hippies, you probably picture bell bottoms, long hair, and LSD. You might also think of a very specific graphic design and illustration style, seen on concert posters and album covers: curly, cloudy, barely legible lettering, trippy color combinations, and decorative meandering borders. This style was first conceived in San Francisco by a handful of designers in the late 1960s. Their job? Make posters for bands like The Byrds, the Grateful Dead, Janis Joplin, Steve Miller Band, Jimi Hendrix … all of whom were just getting their start, competing for nightly stage time at venues like the Fillmore and the Avalon.
(Direktlink, via Nag on the lake)
Großartiges Mural, das Graffiti Artist BiP in San Francisco auf eine ziemlich große Hauswand gebracht hat. Hier gibt es mehr Fotos davon.
my new mural for San Francisco. for the people that want the story of how this image was created—I carried this piece in the back of my head for years. I kept practicing putting an adult expression on a child not really able to nail it, until I understood the image itself was about contrast and internal disagreement. when I made that understanding, I threw my old color studies and rebuilt the painting out of direct contrasts to echo that confliction. so in this image you’ll find: sunlight vs. darkness, real vs. imaginary, infant vs. adult, confusion vs. resolve, innocence vs. guilt, feminine vs. masculine, dangerous vs. toy, fate vs. free choice. and in the handling of the painting. organic vs. inorganic textures, saturated vs. unsaturated colors, and warm vs. cool hues in extremes.
2 Kommentare
YouTuber Trent Shy hat nicht weniger als 50 Stunden an einer Stop Motion Animation rumgefriemelt, die dann in 15 Sekunden durchläuft. 10/10 für diese Fleißarbeit. Und die Optik. Und das GIF.
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